How can we coauthor The Val and Kit Mystery Series
and other novels when we live 1300 miles apart, you ask? (At least many of you do.)
It’s easy, really! And communicating via Skype doesn’t hurt a bit. We meet regularly
in our respective “offices,” Roz in her kitchen in Texas, Patty in her spare
bedroom in Wisconsin.
First, we spend many months taking turns writing
ten pages or so at a time. These are e-mailed back and forth, always with an
aim to paint each other into a corner, and always edited and tweaked by the
other (which we think accounts for the reason y’all so kindly marvel that we
write with one voice). Then we’re ready to start a first read-through of the work
in progress. We don’t need to dress up or put on makeup (as the photos below attest).
We just connect via Skype and get right to it. It goes kinda like this:
Good morning.
Good morning. Your hair looks really nice.
Nah . . . okay, thank you. I just got it cut. Your nails are gorgeous.
Revlon Gel.
Oh, let me write that down.
Should we take a break?
Yeah. I’m gonna heat my coffee. See you in five.
Five minutes later we’re back at our
respective screens, Roz still wearing her Houston Astros T-shirt that doubles as
sleeping attire, Patty in her pajamas. Thank you, Skype.
What’s that you’re eating?
Fiber One Lemon Bar. Delicious.
Let me write that down.
Ooops, my cell is ringing. Oh . . . it’s
my dentist. I’ll call him back.
We have our manuscript loaded on our Kindles
(thank you, Amazon) and take turns reading aloud—one page at a time, to ensure
we’ll stay awake and alert. Thus we carefully maneuver (and hopefully destroy)
the minefield of potential plot gaffes: What happened to that character in
Chapter Three? He seems to have disappeared. How come Val and Kit had breakfast
twice in Chapter Four? Shouldn’t the second meal be considered lunch by now? And
why do they need to eat so much, anyway?
Wow, this is a really good book. Don’t you think?
I love it.
Are we sure we know who the murderer is?
I was thinking that dude in Chapter Fourteen.
You mean the one who fell down a mine shaft early in
Chapter Twelve?
Oh, right. Couldn’t he have been rescued?
By his blind, one-legged dog?
Could the dog—
Forget the dog.
Okay. Wanna
take a break? See you in five.
And so it goes. Much more laughing than
plotting. After a few more all-day Skype sessions, we finally have a manuscript
that makes sense (so we think), one where no character undergoes a change in hair
shade, eye color, height, or age. We’re finally ready to pass along our precious
baby to our beta readers. Right now we’re eager to see what they think about Palm Desert Killing (due out this
summer).
Here we are, in all our Skyping glory.
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